十七岁

　　剧情描述在荒芜的未来世界，吉普生（尚格·云顿）帮助一个半人半机器的混种人，将能解救千万人性命的疫苗送回家。一路上坏人亟欲除掉这名混种人，好让世界陷入混乱以趁机成为地球的统治者，但吉普生绝不会让他们如愿。

　　A DEA agent with PTSD returns home after a botched mission and must now protect his family from a home invasion after a recently freed convict and his henchmen come after their stash of millions inside of the agent's home.

　　时间来到最终决战的两年后，在本应已迎来和平的地球上，怪兽们再度倾巢而出。
　　与此同时，世界各地相继发生了各种入侵超古代遗迹的事件。而GUTS-SELECT（精英胜利队）也迎来了新的队长——时冈（中村优一 饰），众人开启了调查。
　　一场关乎宇宙前途命运的鏖战就此拉开序幕。
　　挺身而出的G UTS-SELECT、前来驰援的泽塔奥特曼还有身处战斗中心的特利迦奥特曼的面前出现的是……浑身散发着不祥之气的影之继承者——邪恶特利迦的身姿。
　　为了守护大家的笑容，特利迦奥特曼、GUTS-SELECT的队员们以及夏川遥辉/泽塔奥特曼（平野宏周 饰）、伊格尼斯/黑暗特利迦（细贝圭 饰），将一同投身这场光与影的大决战！

　　结婚纪念日当天，CIA特工伊芙琳·绍特（安吉丽娜·朱莉 Angelina Jolie 饰）受命审讯一名投案自首的俄罗斯间谍。对方声称自80年代便潜入美国，并且透露有一名间谍大师曾训练数名儿童，将他们培养成间谍送入普通的美国家庭中，伺机刺杀美国总统。令在场所有特工震惊的是，这个俄国人竟指认绍特是这群孩子中的一员。
　　不顾CIA探员们的阻拦，绍特执意返回家中。经过一番惊险追逐，她暂时逃过昔日同伴的追捕。不久，俄罗斯总统访问美国，绍特再次卷入各种阴谋之中，而她的真实身份也变得愈加扑朔迷离……

　　A skilled young female agent is tasked with capturing a rogue former agent before she can unleash a biological weapon starting with the wealthy and powerful purveyors of the international sex trade.

　　在与臭名昭著的乌克兰军火商伊戈尔·罗丹的战斗中，美国突击队员约翰·卡特未能拯救一个被劫持为人质的家庭，失去了他的整个团队，约翰被军队开除。三年后，当伊戈尔重新露面时，他的老将军接洽他去执行一项私人任务

　　杰森·苏戴奇斯、伊万杰琳·莉莉将主演动作惊悚片[死亡来临](Till Death)，亚伦·凯莎莱斯([大坏狼])执导，亚伦与纳沃特·帕普莎多、Kai Mark共同操刀剧本。影片故事讲述因持枪抢劫而被判重罪的吉米在服刑12年后，获得假释。而此时，他的童年旧爱安妮身患癌症，即将离世。获释后的他发誓要给安妮最好的临终时刻。不幸的是，一切都没那么简单。影片将于2020年1月开拍。

　　重犯越狱后即犯下滔天罪行，有众多目击者见过其人，警方却仍束手无策，逃犯犹如鬼魅般穿行于城市之中...

　　ユダヤの伝説「巨人ゴーレム」にヒントを得て製作した大映のSFXスペクタクル時代劇シリーズ第3弾。荒川飛騨守は近隣諸国を侵略しようと、村人たちを捕え武器作りに酷使していた。残された子供たちは、“魔神の山”を越える決死の旅立ちを決意するが…。

　　戦国時代、名越一族と千草一族は、八雲の湖をはさんで平和に暮らしていた。ところが彼らは思わぬ侵略にさらされることになる。隣国の領主御子柴弾正は、まず千草一族、続いて名越一族を倒し、その領地を手に入れる。さらに両家を守り続けてきた武神像を破壊し、湖に捨ててしまう。そして邪魔になった十郎と早百合を処刑しようとする。絶体絶命と思ったその時、湖がまっぷたつに割れ、巨大な魔神が現れた……。

　　A massive earthquake strikes the United States, which destroys the West Coast and unleashes a massive flood that threatens to destroy the East Coast as well.
　　If you're wondering about this film and why it's dubbed in Italian, then read the following comment from IMDb:
　　I have always wondered about the disappearance of "Deluge". Why for so many years, seemingly since it's release in 1933, this film vanished from the face of the earth. After seeing it, courtesy of the efforts of Mr. Wade Williams & Co., I'm still puzzled, but I have a theory. In 1933, "the code" was enacted that pretty much took care of sex and violence in Hollywood. While not an explicit film by any means, "Deluge" does deal fairly frankly with sexuality, lust and rape. I wonder if RKO discovered they had a film that they could not re-release, much like the fabled lost Warner Bros. comedy "Convention City". It's a shame for, while it is a dated film, I find it quite unique and surprising for it's era and a fairly successful attempt to create something different in an era when films were already becoming cookie cutter by-products of the studio machine (not that many of those cookies aren't tasty, mind you). And even though the only available copy at this writing is dubbed into Italian, I don't find that a hinderance. An excellent job was done in subtitling the film, and much of the film is visual anyway.

　　Loosely based on Kathryn Forbes' book -Mama's Bank Account-, this film actually contains richer detail and more intricate character- izations. In turn-of-the-century San Francisco, young Katrina Hansen chronicles episodes of life with her extended family, who combine traditional Norwegian values with "modern" American ways. So successful that it became a popular radio show, and then a TV sitcom, both with Barbara BelGeddes and Irene Dunne from the film.