我的童年谁做主

　　A woman's sanity comes into question, after she claims to have witnessed a murder from her apartment window.

　　Euskadi 1985. El colegio ha terminado, por fin llegan las ansiadas vacaciones. Marcos y sus tres amigos, José Antonio, Paquito y Toni, reciben expectantes la llegada del verano, un verano prometedor sobre todo porque a sus doce años poco importa dónde, ni cuándo, ni cómo. Recorrerán las horas en el laberinto que la vida les ha deparado, en una Euskadi antigua, luchadora, convulsa. Un laberinto de paredes grafiteras, donde rebotan las pelotas de goma y los sueños de libertad; cubierto de un cielo gris prefabricado en cooperativas, donde la muerte y la vida ya no mantienen relaciones formales.

　　ynopsis from Time Out Film Guide: Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus: quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different': a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film.

  一群奋战不懈的野球少年们，朝着梦想前进的热血故事！故事描述1929年台湾诞生了一支由汉民族、大和民族和原住民族组成的嘉农棒球队，在新教练以「进军甲子园」为目标，用斯巴达式的严厉态度训练球员，原本散漫的球队在教练一年多的魔鬼训练与屡屡落败的刺激下，渐渐激发了球员的求胜意志与前进甲子园的决心。1931年，嘉农棒球队一路过关斩将，打败由日本人所组的常胜冠军「台北商业队」，成为首支在浊水溪以南并且赢得全岛冠军的野球队外，更代表台湾去日本征战甲子园，在一望无际的甲子园的草地上，五万五千名观众面前，嘉农球员们奋而不懈的决心与永不放弃的精神感动了现场所有观众，不论输赢，嘉农已经缔造了历史，不畏惧地勇敢挑战自我，无形中却得到真正的胜利。远远地，观众席上传来一阵奋力呼喊：「英雄…战场…天下…嘉农」。

…

　　Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".
　　It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.
　　And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).
　　Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.
　　And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.

　　汉娜（凯特琳·卡特利吉 Katrin Cartlidge 饰）和安妮（Lynda Steadman 饰）是大学时代的同居室友，彼时安妮因为自己的长相而充满了自卑，正是开朗奔放的汉娜的出现让安妮重拾了自信找回了快乐，两人之间也因此构筑起了坚实的友谊。
　　一晃眼多年过去，自从毕业之后就再也没有联系过的安妮和汉娜重逢了，此时的她们都已经成为了成熟稳重的职业女性，看到彼此的巨大变化，汉娜和安妮的心中都充满了喜悦。然而，通过回顾曾经的校园生活以及故地重游，两人才发现，她们自身的变化远远跟不上时代的节奏。究竟什么是成功，她们的未来又在何处，汉娜和安妮陷入了深深的思考之中。

　　故事发生在风景壮美的新疆阿勒泰，孤苦无依的女孩王彩霞（索星雨 饰）一路流浪至此，只为了寻找失散多年的哥哥王云辉（王揆森 饰），路途的颠簸曲折让王彩霞又累又饿身患重病，幸运的她遇到了善良的阿尼帕（孔都孜扎依·塔西 饰），阿尼帕将王彩霞带回了家中，尽管家境贫寒，但是阿尼帕还是尽己所能，提王彩霞治病。
　　随着时间的推移，王彩霞的身体渐渐复原，与此同时，在阿尼帕的帮助下，她终于和哥哥团员，而王云辉同样无家可归，阿尼帕用自己矮小的身体替他们撑起了一个温暖的家。这个家庭一点一点的扩大着，这里生活的都是和王彩霞兄妹两境遇相似的孩子。孩子们长大，成人，离开了阿尼帕的大家庭，去组建属于自己的小家庭，但曾经的回忆不会褪色，阿尼帕妈妈的爱亦不会改变。

　　赫勒（爱米尔·强宁斯 Emil Jannings 饰）是杂耍班的演员，他和妻子伯特纳（梅丽· 戴尔沙夫特 Maly Delschaft 饰）合作表演的空中飞人项目深受观众们的喜爱。然而，随着时间的推移，伯特纳的身材渐渐走形，已经不再适合表演空中飞人了，无奈之下，赫勒带着她来到了位于德国汉堡的另一间杂耍班谋生。
　　贝尔特（利亚·德·普提 Lya De Putti 饰）是常常来看演出的观众，在赫勒的见一下，她开始尝试登台表演，谁知道贝尔特的表演大受欢迎，就这样，贝尔特成为了杂耍班的红人。在朝夕相处之中，赫勒喜欢上了年轻貌美的贝尔特，他无情的抛弃了妻子，和贝尔特私奔了。

　　丹尼·霍金斯的父亲因杀人而被判绞刑，他从而生活在心理阴影中。为了争夺女孩的好感而与人发生了争执，争斗中他意外杀死了对方，并且害怕通知警方。 他赢得了女孩的爱，但是当女孩试图影响他承认自己的罪恶时，他却逃走了。

　　Since ancient times, a tribe on the African continent has been prophesying that a white boy will arrive to be their god: the Son of the Moon. David, a 12-year-old orphan who lives in Europe, learns about the prophecy and believes that he is the chosen child and that destiny must be fulfilled at any cost. Before David can fulfill his prophecy he must escape the heavily guarded scientific organization that has adopted him. David's strange behavior and the fact that he possesses extrasensory perception, has attracted the attention of an organization researching so-called "prodigious beings" in the occult tradition. David soon discovers that their goal is to channel the moon's energy into a child yet to be born, robbing him of his rightful place as the Son of the Moon. Two women, Victoria, a member of the center, and Georgina, the future mother of the supposed moonchild, will help David fulfill his destiny. After several attempts David manages to escape the center and undergoes a series of new experiences: love, adventure, supernatural events and even death. David is relentlessly pursued, pushing him further towards his goal, towards Africa where his fate awaits him.

　　本片改编自著名剧作家田纳西·威廉斯的同名戏剧。
　　徐娘半老风味犹存的“南部美女”白兰芝（费雯丽）因“不适当”的行为被解除家庭教师职务后，来到新奥尔良投靠妹妹。妹妹家在一栋肮脏的公寓内，其丈夫斯坦利（马龙·白兰度）是波兰移民的儿子，性格粗鲁莽撞，且酗酒嗜赌。因为从小娇生惯养 ，受过旧式的南方教育，白兰芝多少有些神经质，她认为斯坦利是个很没教养的人，而斯坦利也正因为她所表现出的娇弱敏感，认为她会带坏自己的妻子，甚至威胁到他作为家中主人的地位，对她时常加以言语侮辱以示憎恶。在这样的环境中，白兰芝的悲剧一点点展开。

　　阿尔卑斯山滑雪佳地，一瑞典家庭在就餐时遇到了雪崩，丈夫托马斯只顾自己逃命不救妻孥，引发了家庭危机……
　　一个瑞典家庭来到了法国的阿尔卑斯山区度假。当天风和日丽，景色无比养眼，然而当他们在山脚下的一个餐馆用餐时，一场突如其来的雪崩打破了这一切。游客们四处逃窜，母亲艾芭叫喊着她的丈夫托马斯的名字，试图保护他们的孩子。然而没想到的是，托马斯却在慌乱之下抛妻弃子，自顾着逃命去了……尽管最终躲过了雪崩，但这一家人的关系却出现了巨大的裂痕。托马斯究竟怎么样才能挽回妻子的心，并且在孩子们的心目中重塑他的威信？