不认识的女友

　　1930年代，第二次国内革命战争时期。绿林首领白莲花（吴海燕 饰）杀死世仇冤家高敬轩，时逢红军团长肖烈（宫喜斌 饰）前来邀她参加红军队伍，联手抵御白军师长高占魁（胡浩 饰）。白莲花仰慕肖烈艺高人胆大，杀掉新婚夫婿——奸细柳飞，毅然率部参加红军。收编白部后，肖烈帮助他们克服了与生俱来的绿林恶习，并在战斗中与白莲花结为伴侣。高占魁趁红军内部分歧，设计离间政委彭炳青（徐阜 饰）与白莲花的关系，分裂红军内部组织。彭中计后，关押了白莲花。期间，肖烈与她永诀。当彭炳青发现自己中敌离间计，后悔不迭，此时白莲花万念惧灰......

　　文革后期，一艘由重庆开往武汉的江轮上，几个各怀心事的人共处一室：以莫须有罪名被关押了六年的诗人秋石（李志兴）由专案人员刘文英（张瑜）、李彦（强明）秘密押送，前路凶多吉少；老大娘（欧阳儒秋）的独生子在武斗中丧生，她登船是为凭吊儿子亡灵；农村姑娘杏花被迫“卖身还债”，眼泪汪汪想着心上人……由于刘文英和李彦分别以一副“典型革命小将”和老谋深算的模样示人，两人不得其它人待见。此外，还有一个小女孩趁人不备偷偷溜上了船。
　　杏花的悲惨遭遇令大伙十分愤慨，可是他们都无计可施，老大娘的坚强也没能将她感染，后来，她跳江准备结束生命，秋石将她救上岸后，讲了自己和柳姑（赵静）的爱情故事，杏花听后重树生活的勇气。已将生死置之度外的秋石没想到的是，他的生命也会再现亮色：乘警老王（仲星火）得到小女孩的信任，小女孩上船原来是为找寻父亲，而通过她所说的找寻的凭证，老王判断出她是秋石的女儿。众人都担心秋石的安危时，良心受到拷问的刘文英决定不计代价向秋石父女伸出援手。

　　白手成家的青年商人黄承德与妻子李琳结婚十年，生活美满. 黄承德经友人介绍， 结识记者叶原，造成叶原与李琳相识的机会，引发婚姻危机. 而黄承德因公赴美， 与情妇梦梦同行. 黄承德一个月后自美返台，李琳在此时发现怀有身孕. 而叶原又与新进女记者结為新欢，三人之关系陷入困境…

　　蓬莱仙阁，烟笼雾锁，吕洞宾（石维坚 饰）、铁拐李（赵钱孙 饰）、何仙姑（田晓梅 饰）、汉钟离（铁牛 饰）、韩湘子（孙剑 饰）、蓝采和（杨健忠 饰）和张国老（袁之远 饰）七位神仙共聚一堂。席间，铁拐李提议将官宦曹国舅（王夫棠 饰）点化成仙，何仙姑因嫉恨富豪官吏而心生不悦，一场聚会不欢而散。
　　被贬出宫的曹国舅接连受到七仙点化，却不以为然，直到直谏昏君（宋家琪 饰）再遭贬斥，方有所醒悟。对仕途心灰意懒的曹国舅一心求仙，云游途中经历无数考验，在七仙点化之下看透功名粪土、世态炎凉，遂茅塞顿开，羽化成仙，与七仙踏海而去……

　　身形猥琐、其貌不扬的阿Q（严顺开 饰）是未庄一个靠打短工度日的小人物。他家徒四壁，穷得连姓都没有。虽然如此，阿Q却始终自我感觉良好，或瞧不起装模作样的假洋鬼子，或与地主赵太爷攀亲。当然换来的往往不是尊敬，而是鄙夷甚至一顿毒打。好在阿Q有着一套自我安慰的“精神胜利法”，所以肉体上吃亏的他最终能在精神上得到满足。自从被赵太爷打和调戏吴妈受罚之后，阿Q的日子愈加难过。万般无奈之下，他只得进城谋求生路。阴差阳错的一些事，竟让阿Q在未庄人眼里成了手握重权的革命党，这个憋屈半辈子的小人物总算暂时抖了起来……
　　根据鲁迅同名小说改编，并荣获瑞士第2届国际喜剧电影节最佳男演员奖。

　　韩国首部啦啦队题材电影《Victory》主演确认！由#李惠利# ，#朴世婉# 主演，赵雅兰，崔智秀，白海，权侑娜，廉智詠，李韩珠，朴孝恩等新锐出演。
　　《Victory》讲述了1999年世纪末，南端巨济的校内舞蹈组合“弼善”（李惠利 饰）和“美娜”（朴世婉 饰）为了跳舞而组成的啦啦队社团“千禧女孩”一起用舞蹈和音乐展开热烈助威的故事。
　　《Victory》导演由曾担任《Single In Seoul》《红地毯》编剧及导演的的朴范秀担任，目前已进行首次拍摄。

一支红军探路小队，在侦查翻越长征途中第一座大雪山——夹金山时，与国民党军队展开搏杀。后遭遇山匪，一番激烈对峙后化敌为友。当探路任务完成之时，小队也解救出屠刀下的村民，同时也付出惨痛牺牲。最终，红军成功翻越夹金山！

　　In the futuristic city of Vanille, with properly tuned ImmerSyst Eyes & Ears the world can look and sound like a paradise. But the life of a father and his young son threatens to disintegrate when the father's device begins to fail. Desperate to avoid facing his own traumatic reality, the man must venture outside to find a replacement, into a city where violence and danger lurk beneath a skim of beautiful illusion.

　　Scot想要从歹徒手中救出妹妹，却遭人陷害，被控谋杀，被处以死刑。一位疯狂科学家把Scot的大脑植入大猩猩体内，Scot以大猩猩的身躯复活，开始他的复仇...

　　朱利叶斯·凯尔教授是一个懦弱的人，经常被别人作弄。当一个足球教练在他的全班学生和他喜欢的漂亮学生斯特拉面前侮辱他之后，他决定配制一剂药。当他喝下这剂药后，他变成了一个人人都喜爱的广为人知的充满野性的动物，而且他不再害怕和斯特拉说话。但有一个问题就是，这副药的能量会很快用光。

　　在一个遥远的星球上，一艘坠毁的宇宙飞船上的后代受到了神秘力量的影响，这些力量使他们在短短8天内衰老并死亡。他们还必须住在洞穴里以躲避夜间的严寒和白天的酷热。一个小男孩决心要回到把他们带到那里的那艘船上。但他将如何在剩下的短短时间内完成这一切呢

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.
　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?
　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.
　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.
　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.
　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.
　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.