我的妈呀

　　简介：
　　黑道枭雄沙无忌之独子沙亮无恶不作，铁捕头南宫啸将他擒捉，依法斩首。沙无忌遭此段根之恨，不知反省，反而嘱其手下总管对南宫家人，施以报复……
　　导演：林福地
　　副导演：徐锦文
　　剪辑：林善良
　　音乐：周福良
　　编剧：古龙
　　摄影：密兆新
　　美术：顾毅
　　武术指导：梁少松
　　出品：台联影业有限公司 香港欣欣影业公司
　　摄制：国松有限公司 香港欣欣影业公司
　　主演：
　　岳華
　　陳星
　　潘迎紫
　　聞江龍
　　尹寶蓮
　　高飛
　　金石

　　When a promised job for Texan Michael fails to materialise in Wyoming, Mike is mistaken by Wayne to be the hitman he hired to kill his unfaithful wife, Suzanne. Mike takes full advantage of the situation, collects the money and runs. During his getaway, things go wrong, and soon get worse when he runs into the real hitman, Lyle.

　　剧本改编自伊恩·里德同名小说，小说审视了心灵的脆弱和孤独的极限。杰克原本带女友回家见父母，女友一路却在想着“结束这一切”，在杰克改变原定路线后，一切都朝着失控方向发展。

　　In beautiful sunny afternoon in Prague, a man of a certain age discusses his love of Provence. Suddenly, a black flag is suspended. The composer Foerster died.
　　Graduation film of director Jirí Menzel.

　　泰德是一名年仅七岁的小大人，但智商特别高。身为工人的单亲妈妈根本没有时间和能力好好辅助他，只好将他送入特殊儿童学校就读。该校的女校长是位著名的儿童心理学家，她对泰德采取了另一套管教方法，这位天资聪慧的男孩夹在两个颇有个性的成年女人中间，一度陷入不知所措的困境。面对截然不同的两种教育态度，他将如何正确调适自己未来的方向呢……

　　薇罗妮卡（莎拉·米歇尔·盖拉 Sarah Michelle Gellar 饰）是一名28岁的女青年。在旁人的眼中，她无疑是一名“成功人士”——有一张漂亮的面孔，一份稳定的工作和一处舒适的住所，这些许多人终其一生都无法得到的东西对于薇罗尼卡来说仿佛是与生俱来。可是，只有薇罗尼卡自己知道，她内心中的那个黑洞是再多的金钱和物质都无法填补的，在这个孤独而又冷漠的世界里，茕茕独立的她要忍受多少的痛苦才能安然的度过枯燥而又乏味的每一天。终于，忍无可忍的薇罗尼卡做出了决定，她决定去死。
　　似乎就连死神也对薇罗尼卡格外宽容似的，在鬼门关走了一遭的她终究还是被先进的医疗技术给救了回来，可是医生告诉薇罗尼卡，由于药物的缘故，她的心脏受到了极大的伤害，可能时日无多，而正是这离死亡越来越近的生活让薇罗尼卡对生命有了新的领悟。

　　The Doll is an adaptation of the novel, The Doll (novel) by Bolesław Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Bolesław Prus a potential candidate for the Nobel Prize in literature. The influence of Émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black).
　　The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful.
　　This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz.
　　Plot:
　　As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz Łęcki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)

　　该片形成了一种无产者与资本家阶级对立的现实主义题材，以及神的力量奖善惩恶的寓言混合体。此片有两个主要特点，第一是怀旧情绪。以30年代瑞典为背景，经济大萧条所的情绪来建构影片的基调。第二是政治色彩。几十年来人的愚昧，麻木和逃避为一种强权的产生汇集了能量，这种能量散发的结果就是对人长期拥有的自由平等的权利进行疯狂的扼杀。这部影片在最后引入了宗教对人类的拯救，寓意十足，耐人寻味。

　　Coming as it does from the depths of the Stalinist regime, the Russian Road to Life is a remarkably optimistic film. A host of nonprofessional children are cast as Moscow street kids, left homeless by the Bolshevik revolution. They get into all sorts of melodramatic scrapes until they're rounded up by kindly, altruistic Soviet functionaries. The children are reformed (in the nicest possible way) and made useful members of society. Road to Life is simplistic in its solutions to society's problems, albeit no more so than the usual Hollywood product from the same period.

　　影片根据2014年轰动一时的亚洲考场作弊案改编，讲述了天才学霸利用高智商考场作弊牟取暴利的故事。出生平凡的天才少女Lynn（茱蒂蒙·琼查容苏因 饰）在进入贵族学校后，结识了富二代同学Grace（依莎亚·贺苏汪饰）与Pat（披纳若·苏潘平佑饰），从此开始了考场作弊生涯，与此同时，另一名记忆力极佳的天才学霸Bank（查侬·散顶腾古 饰）发现了Lynn不为人知的“交易”。经过多场险象环生的“作弊战争”后，Lynn接下最后一单在国际考场上为富家子弟作弊的天价委托。一场横跨两大洲的完美作弊方案横空出世，然而一切并不像他们想的那么简单……

　　新浪潮老将里维特的雄心大作，分战争篇和监狱篇上下两部。本片以德莱叶和布列松为目标，希望成就新的经典。 传奇历史事件「圣女贞德」发生时，以文字记述事件流传出去的方式尚未普及，因此事件留下来的属于史实的原始记录非常的少。但是圣女贞德的故事，却不断出现在文学作品、舞台剧、歌剧（神剧）与各种电影版本中，这背后一定是有它的原因的。
　　该片讲述圣女贞德从被俘，到被审判，直至最后被处死的过程。在1430年5月23日的一场小规模战斗中，贞德被俘虏了。当她下令军队撤退回贡比涅城时，她处在军队的最后方以确保所有人都退回了城里，但就在这时贡比涅城因为害怕英军跟着闯入，没等到所有部队撤回便将城门关下，贞德与剩余的后卫部队便遭到了勃艮第人俘虏。最后法庭总结了贞德的12项罪行指控，但这些指控都和在审判中的纪录相互矛盾。在各种方式逼迫之下，不识字的贞德没有意识到死刑的逼近，签下了一份她完全看不懂的公开弃绝书。贞德还有另外一个罪名：像男人一样穿衣服。这在1431年可是一项大罪。贞德在战场上穿的是甲胄，但是在军营里却穿的男装，据记载，她穿的是一种很短的灰色的束腰外衣，套在朱红布料做的、织的很密的长筒袜子上面。那个时候还没有橡皮筋，男子的长统袜的顶端都开有成对的扣眼，中间用绳子串起来系紧。一般人用七种以上的花色来系这种袜子，而贞德用了20种，而且还系得很紧。主要是为了保护自己“奥尔良少女”的身份。在监狱里，贞德宣称，没有紧身的袜子，她感到很不安全，她要和教廷抗争到底，准备接受自己的命运。后来，她被套上一身长袍。行刑时，她没有遗言，只是向敌人发出了嘲笑。死刑于1431年5月30日在鲁昂进行，目击者描述了死刑的那一幕。贞德被绑在火刑柱上，她不断的祈祷著，并向旁边的神父请求让她握著一个小十字架。

　　一家健身房里几个男子的生活悲喜录：有单身宅男追女记；有广告创意总监的外遇诱惑；也有女友未婚先孕的花花公子；更有音乐才子的迷惘人生。总之，各有各的欢笑与苦痛，看的人或爆笑，或唏嘘，或感慨，或动容。节奏明快，故事曲折，多线索并行发展的叙事结构，犹如一副徐徐展开的画卷，观者可以将朝气活力的都市青年的精彩生活一览无遗。